This list includes 22 Literary girl names that start with T, from “Tabitha” to “Tullia”. You will find names from classic novels, modern fiction, myth, and poetry. These names work well for expectant parents, writers, and anyone hunting for meaningful, character-driven choices.
Literary girl names that start with T are female names drawn from novels, poems, plays, and myths. Many entered popular use after appearing in 19th- or 20th-century fiction, with some traceable to classical poetry.
Below you’ll find the table with Name, Origin, Pronunciation, and Meaning & notes.
Name: You get the literary name itself, so you can review, shortlist, or share favorites at a glance.
Origin: Shows the author and work (and language when known), helping you trace each name’s literary source and cultural context.
Pronunciation: Gives a simple phonetic respelling so you can say the name correctly and judge how it sounds aloud.
Meaning & notes: Lists etymology, literal meanings, and notable literary significance to help you understand each name’s background and connotations.
Literary girl names that start with T
| Name | Origin | Pronunciation | Meaning | Description |
|---|---|---|---|---|
| Tabitha | Beatrix Potter — The Tale of the Pie and the Patty-Pan, English, 1905 | TAB-ih-thuh | “gazelle” (Aramaic/Greek attestation) | A mother-cat shopkeeper in Potter’s tales; prim, practical, often comic supporting figure. |
| Tamsin | Peter S. Beagle — Tamsin, English, 1999 | TAM-sin | Cornish form of Thomasina; “twin” (from Thomas) | Title ghost-girl in Beagle’s novel; mischievous, otherworldly, central to a modern folk-horror romance. |
| Tamar | Hebrew Bible — 2 Samuel, Hebrew, ancient | TAM-ar | “palm tree” (Hebrew) | Daughter of King David, tragic figure; her story has inspired many literary retellings about family and violence. |
| Tamora | William Shakespeare — Titus Andronicus, English, c. 1594 | tuh-MOR-uh | Uncertain; possibly variant of Tamara | Queen of the Goths and chief antagonist; ambitious, vengeful, and central to the play’s bloody conflict. |
| Tatiana | Alexander Pushkin — Eugene Onegin, Russian, 1833 | ta-TYAH-nuh | Feminine of Titus; Roman origin, later Slavic usage | Idealistic heroine (Tatyana Larina), intimate letter-writer whose inner life defines the novel’s moral center. |
| Tess | Thomas Hardy — Tess of the d’Urbervilles, English, 1891 | TESS | Diminutive of Teresa; “harvester” (folk etymology) | Tragic rural heroine whose fate critiques social morality, class, and gender in Victorian England. |
| Thérèse | Émile Zola — Thérèse Raquin, French, 1867 | teh-REHZ | From Theresa; association with harvest/late antiquity names | Passionate yet morally conflicted protagonist whose illicit affair triggers murder and psychological horror. |
| Thea | Henrik Ibsen — Hedda Gabler (Thea Elvsted), Norwegian, 1890 | THEE-uh | “goddess” (Greek) or short form of Dorothea | Compassionate friend to Hedda; symbolizes sincerity and the possibility of moral courage. |
| Thalia | Hesiod — Theogony, Greek, c. 700 BCE | THAY-lee-uh | “to flourish, bloom” (Greek) | One of the Muses (comedy/pastoral) in classical poetry; often invoked as inspiration for comic and bucolic arts. |
| Titania | William Shakespeare — A Midsummer Night’s Dream, English, c. 1595 | ty-TAY-nee-uh | “of the Titans” (Shakespearean coinage) | Enchanting Queen of the Fairies; central to the play’s romantic mischief and magical disputes. |
| Tirzah | Hebrew Bible — Numbers, Hebrew, ancient | TIR-zuh | “pleasantness” (Hebrew) | Biblical daughter and place-name later used in poetry; often symbolizes beauty, longing, or Biblical resonance in later works. |
| Tomoe | Heike Monogatari — The Tale of the Heike, Japanese, 13th century | toh-MOH-eh | Often linked to the kamon symbol 巴; literal meanings vary | Tomoe Gozen, famed female samurai figure in medieval literature; brave warrior and tragic heroine. |
| Tris | Veronica Roth — Divergent, English, 2011 | TRISS | Short for Beatrice; “bringer of joy” (via Beatrice) | Protagonist who confronts identity, courage, and moral choices in a dystopian initiation story. |
| Trillian | Douglas Adams — The Hitchhiker’s Guide to the Galaxy, English, 1979 | TRIL-ee-an | Nickname/coinage from Tricia (invented by author) | Witty astrophysicist and traveler; practical, intelligent foil within a comic science-fiction romp. |
| Triss | Andrzej Sapkowski — The Witcher series, Polish, 1990s | TRISS | Diminutive form; personal name without clear etymology | Powerful sorceress and key ally; complex loyalties and moral choices in a dark fantasy saga. |
| Tessa | Cassandra Clare — The Infernal Devices (Clockwork Angel), English, 2010 | TESS-uh | Diminutive of Teresa | Central heroine with mysterious origins; resourceful, brave, and emotionally layered in YA fantasy. |
| Talitha | New Testament — Gospel of Mark (Mark 5:41), Greek/Aramaic, c. 1st century CE | ta-LIE-thuh | “little girl” (Aramaic) | Aramaic phrase used in a healing miracle; appears in literature and hymnody as a tender, life-restoring name. |
| Tomyris | Herodotus — Histories, Greek, 5th century BCE | toh-MY-ris | Possibly Iranian/Scythian; precise meaning uncertain | Legendary Scythian queen who defeats Cyrus; used in literature as a symbol of fierce feminine sovereignty. |
| Tullia | Livy — Ab Urbe Condita, Latin, 1st century BCE | TUL-ee-uh | Feminine of Tullius; Roman family name | Notorious daughters in Roman tradition (Tullia Minor); appearances in historical narratives emphasize ambition and scandal. |
| Tracy | Philip Barry — The Philadelphia Story (play), English, 1939 | TRAY-see | From surname/place name; later given-name usage | Socialite protagonist grappling with love, class, and self-knowledge in comedy of manners drama. |
| Theodosia | R. L. LaFevers — Theodosia Throckmorton series, English, 2007 | thee-oh-DOH-shuh | “gift of God” (Greek) | Clever, adventurous young heroine who unravels magical antiquities in historical-fantasy middle-grade novels. |
| Tanaquil | Livy — Ab Urbe Condita, Latin, 1st century BCE | ta-NAH-kwil | Etruscan origin; exact meaning uncertain | Influential Etruscan queen in Roman foundation stories, often depicted as politically shrewd in later literature. |