This list includes 40 literary girl names that start with M, from “Madeline” to “Mélisande”. They range from classic characters to modern author-coined names, useful for parents and writers.
Literary girl names that start with M are female names drawn from novels, poetry, plays, and author inventions. Many are tied to memorable characters like Madeline or the symbolically mysterious Mélisande.
Below you’ll find the table with Name, Origin & Source, Pronunciation, and Meaning.
Name: The given literary name as used in the source; you can scan this column for inspiration and exact spelling.
Origin & Source: Shows the author, work, and language where the name appears so you can check literary context quickly.
Pronunciation: Simple phonetic respelling helps you say the name correctly and test how it sounds aloud.
Meaning & Significance: Explains etymology or literary importance to help you judge tone, symbolism, or cultural associations.
Literary girl names that start with M
| Name | Source/Origin | Pronunciation | Meaning | Description |
|---|---|---|---|---|
| Meg | Louisa May Alcott — Little Women; English | MEG | “pearl” (diminutive of Margaret) | Eldest March sister, responsible and maternal; a grounded figure of family duty and kindness. |
| Maggie | George Eliot — The Mill on the Floss; English | MAG-ee | “pearl” (diminutive of Margaret) | Maggie Tulliver, passionate, intellectual protagonist torn between desire and social expectation. |
| Madeline | Ludwig Bemelmans — Madeline; English/French | MAD-uh-lin | “woman of Magdala” / “tower” | Brave little Paris schoolgirl, famous children’s-book heroine who faces adventure with wit and charm. |
| Mariana | Alfred, Lord Tennyson — “Mariana”; English | MAR-ee-AH-nə | “of the sea” / “bitter” | Tennyson’s isolated, yearning speaker waiting for a lost lover, symbolizing desolation and melancholy. |
| Marianne | Jane Austen — Sense and Sensibility; English | MAR-ee-AN | combination of Mary + Anne; devotion | Romantic, idealistic Dashwood sister who embodies emotion and youthful sincerity. |
| Miranda | William Shakespeare — The Tempest; English | mih-RAN-dah | “admirable” / “wonderful” | Prospero’s innocent daughter, emblem of wonder, compassion, and reconciliation in Shakespeare’s romance. |
| Mina | Bram Stoker — Dracula; English | MEE-nə | “loveable” / “protector” | Mina Harker, resourceful and brave heroine who helps organize resistance to Dracula’s menace. |
| Matilda | Roald Dahl — Matilda; English | muh-TIL-dah | “mighty in battle” | Clever, bookish child heroine with telekinetic powers who triumphs over cruel adults and injustice. |
| Mathilde | Guy de Maupassant — “The Necklace” (La Parure); French | mah-TEELD | “mighty in battle” | Protagonist whose vanity and pride lead to ironic tragedy in Maupassant’s realist tale. |
| Medea | Euripides — Medea; Ancient Greek | MEE-dee-uh | “cunning” / “planner” | Tragic sorceress who enacts a devastating revenge, central to Greek drama about love and justice. |
| Morgan | Thomas Malory — Le Morte d’Arthur; English/Arthurian tradition | MOR-gən | “sea-born” (Celtic) | Morgan le Fay, ambivalent enchantress: healer, schemer, and pivotal figure in Arthurian cycles. |
| Maud | Alfred, Lord Tennyson — “Maud”; English | MAWD | “strength in battle” | Title figure in Tennyson’s dramatic poem, associated with love, obsession, and melodrama. |
| Milly | Charles Dickens — David Copperfield; English | MIL-ee | “strong in work” (diminutive of Millicent) | Kind, steady friend; Dickensian figure noted for warmth and constancy. |
| Molly | James Joyce — Ulysses; English/Irish | MAH-lee | “star of the sea” (diminutive of Mary) | Molly Bloom, memorable stream-of-consciousness speaker representing sensuality, fidelity, and domestic life. |
| Mary | Various — The Bible; Hebrew/Christian tradition | MAIR-ee | “bitter” / “beloved” | Central biblical name used across literature in many guises — sacred, human, maternal, and symbolic. |
| Minerva | J.K. Rowling — Harry Potter; English | mih-NUR-vuh | “wisdom” (Roman goddess name) | Professor McGonagall: stern, wise witch and moral anchor in Rowling’s series. |
| Maeve | Táin Bó Cúailnge — Irish epic; Old Irish | MAYV | “intoxicating” | Queen Medb (Maeve), powerful, ambitious sovereign at center of Irish heroic epic and sovereignty myths. |
| Marmee | Louisa May Alcott — Little Women; English | MAHR-mee | affectionate “mother” | Warm, moral matriarch of the March family; a guiding, nurturing parental presence. |
| Maria | William Shakespeare — Twelfth Night; English | muh-REE-uh | “sea of bitterness” / “beloved” | Clever lady-in-waiting who aids comedic plots; common, versatile figure in many literary works. |
| May | Edith Wharton — The Age of Innocence; English | MAY | “youthful” / month-name | May Welland, emblem of social virtue and the constraining conventions of high society. |
| Myrtle | F. Scott Fitzgerald — The Great Gatsby; English | MUR-təl | “evergreen plant” | Myrtle Wilson, tragic and impulsive woman whose aspirations and infidelity highlight class tensions. |
| Marnie | Winston Graham — Marnie; English | MAR-nee | uncertain; possibly from “Marne” | Complex antiheroine involved in theft and identity, famously adapted by Hitchcock. |
| Mercy | Arthur Miller — The Crucible; English | MUR-see | “compassion” | Mercy Lewis, one of the afflicted girls whose accusations fuel Salem hysteria and manipulation. |
| Marya | Leo Tolstoy — War and Peace; Russian | MAHR-yah | variant of Mary; “beloved” | Marya (Maria) Bolkonskaya, gentle, pious woman who grows into emotional strength and family duty. |
| Minna | Johann Wolfgang von Goethe — Wilhelm Meister’s Apprenticeship; German | MIN-nah | “love” (diminutive) | Romantic interest figure, notable early novel character representing longing and practical devotion. |
| Margo | John Green — Paper Towns; English | MAR-go | “pearl” (variant of Margaret) | Elusive, enigmatic teen who challenges protagonist’s fantasies about identity and reality. |
| Minny | Kathryn Stockett — The Help; English | MIN-ee | “beloved” (diminutive) | Minny Jackson, outspoken domestic worker whose strength and wit drive key plot turns. |
| Milady | Alexandre Dumas — The Three Musketeers; French | MIL-ah-dee | “my lady” (title) | Milady de Winter, seductive and ruthless antagonist, central to Dumas’ intrigue and revenge themes. |
| Margaret | William Shakespeare — Henry VI (and others); English | MAR-gə-ret | “pearl” | Queen Margaret, fierce, tragic political figure appearing across Shakespeare’s history plays. |
| Miriam | Various — The Bible; Hebrew/Jewish tradition | MI-ree-əm | “beloved” / “rebellious” | Sister of Moses; name used in literature for strong, resilient women across traditions. |
| Melissa | Edmund Spenser — The Faerie Queene; English | muh-LIS-uh | “honey bee” | Wise, guiding figure in Spenser’s epic romance, often a healer and counselor. |
| Miette | Victor Hugo — Les Misérables; French | mee-ET | “little crumb” (diminutive) | Young street girl in Hugo’s Parisian panorama, representing poverty and fragile innocence. |
| Mélisande | Maurice Maeterlinck — Pelléas and Mélisande; French | MEH-lee-SAHND | uncertain; possibly “strong worker” | Mysterious, tragic heroine of symbolist drama, associated with fate and secrecy. |
| Morgause | Thomas Malory — Le Morte d’Arthur; English/Arthurian tradition | MOR-gawz | uncertain (Celtic roots) | Arthurian queen, mother to key knights; complex and politically significant character. |
| Margarita | Mikhail Bulgakov — The Master and Margarita; Russian | MAR-gah-REE-tah | “pearl” | Bold, supernatural heroine who makes a pact to rescue her lover; central to Bulgakov’s satire. |
| Marina | William Shakespeare — Pericles; English | muh-REE-nə | “of the sea” | Virtuous daughter who survives separation and trials, embodying endurance and purity. |
| Marilla | L.M. Montgomery — Anne of Green Gables; English | muh-RIL-ə | variant of Mary; “bitter” | Stern but loving guardian who raises and shapes Anne with moral firmness and warmth. |
| Maisie | Jacqueline Winspear — Maisie Dobbs; English | MAY-see | diminutive of Margaret/May | Veteran-turned-detective protagonist known for empathy, intelligence, and moral inquiry. |
| Mignon | Johann Wolfgang von Goethe — Wilhelm Meister’s Apprenticeship; German | MEE-nyon | “darling” / “cute” | Enigmatic, poetic young performer who embodies longing, melancholy, and Romantic mystery. |
| Masha | Anton Chekhov — Three Sisters; Russian | MAH-shah | diminutive of Maria | Discontented sister yearning for a fuller life; a central figure in Chekhov’s drama about hope and inertia. |